Halloween Horror Nights at Midsummer Scream

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One of the biggest attractions at Midsummer Scream is always Universal’s Halloween Horror Nights. Every year fans gather in a room to hear any bit of news from HHN’s creative team, John Murdy and Chris Williams. This panel always draws an enthusiastic bunch of haunt fans, and this year was no exception.

Before jumping into the new stuff, they provided some background information regarding how they became involved in Horror Nights. Both men painted rosy pictures of their childhood love of monsters, and how it inspired them later in life.  None of this was news to me, but Murdy and Williams were as charismatic as usual, so it was still entertaining.

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As for this year’s Halloween Horror Nights, they walked the audience through pictures chronicling the process of building The Shining maze. They promised the Grady sisters, room 237, Danny on his tricycle, “Here’s Johnny”, and of course the famous carpet. Murdy stated that his goal with this maze is to capture the slow burning dread of the movie.

They delved into scare zones a bit, too. One of the scare zones will be Hell on Earth set in New York City. Guests can expect to see an assortment of demons roaming the streets. HHN always creates top notch monsters/effects, so haunt lovers will definitely be in for a devilish treat.

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Finally, for those super fans, Universal is bringing back their VIP tours known as the R.I.P. Experience. This walking tour includes front of the line passes to everything in the park, free valet parking, special entry, a buffet dinner, and reserved seats for shows.

Keep your peepers here for updates about Halloween Horror Nights. Also be sure to follow us on Twitter at @HallowsHaunts. We’ve got lots of spooky stuff in store this Halloween season, and you won’t want to miss it.

 

It Comes at Night… Sort Of

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Theatrical horror releases have been pretty thin this year so far. So when I saw the trailer for It Comes at Night, I couldn’t wait to get out and see it. The limited cast and ambiguous threat had me hoping for something like It Follows, but the film that was advertised wasn’t exactly the film I saw.

It Comes at Night centers around a family living in a post apocalyptic world where infection lurks around every corner. The film opens with the family being forced to kill the diseased grandfather.  It’s an introduction that packs an emotional punch and sets the tone of the movie quite well.

From there on, our young protagonist Travis (Kelvin Harrison Jr.) struggles to come to terms with the emotional reality of the situation. He is overcome by ghastly nightmares involving the sickness and his grandfather. Then one night a man breaks into their home. His parents (Joel Edgerton and Carmen Ejogo) and the intruder, Will (Christopher Abbott) form a tentative agreement to pool their resources. Will retrieves his wife and child (Riley Keough and Griffin Robert Faulkner) and the two families begin living together. At first, things are great, but then suspicion and paranoia begin to propel them all in a violent direction.

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It Comes at Night has a lot going for it. The performances are top notch. I was especially partial to Harrison and Keough. All of the characters are well rounded and they all feel like real people. The relationships between the characters and the mounting tension create a palpable sense of dread. I’d compare It Comes at Night to The Walking Dead. Both rely on characters in desperate situations facing heavy moral dilemmas, where neither party is right or wrong.

In addition to the characters, the architecture of the cabin allows for a unique setting. With its narrow passages, woodwork, and the surrounding forest it presents a wide range of cinematography options.

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The soundtrack consisting of a lot of low key drumming also stands out. It’s a sound I definitely haven’t heard in any other recent horror movie, and its a nice break from the usual orchestral or synth music that seems to pervade the genre.

Unfortunately, for all of its positives, It Comes at Night still doesn’t feel like much of a movie. It was halfway over before I could even figure out exactly where the plot was going. It’s only about 90 minutes, but it feels about twice as long. The supernatural threat alluded to is nonexistent. All of the nightmare fuel imagery is from Travis’s dreams, and those dreams are a rare occurrence throughout the film. In fact, not much happens in the movie at all. The characters are almost enough to make up for this, but not quite.

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I tried to pinpoint why this film felt so lackluster for me, because on paper I should love it. Usually, psychological slow burn films are my favorite, but this one didn’t stick the landing. I think it’s because many of the scenes don’t serve to drive the story forward, so it starts to feel stagnant. When the climax finally came, it was about what I expected. Then it just sort of ends. Everyone in the theater started grumbling, saying things like “That’s it?”. I liked It Comes at Night, and I’m glad it’s out there because it is something fresh in this landscape of Alien and Annabelle sequels. Just don’t expect it to live up to the hype.

Split- M. Night is officially back!

Every horror fan knows that M. Night Shyamalan has had a rocky career. He’s hit some high highs, but unfortunately he’s also hit some extreme lows. In 2015 he gave us the Wayward Pines series, which I’ve yet to finish, but showed promise. He also released The Visit which falls into a weird gray area where it manages to be both awesome and awful. His latest film, Split places him firmly back into good filmmaker territory, well at least for now.

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Split follows a teen outcast (Anya Taylor-Joy) and two of her classmates (Haley Lu Richardson and Jessica Sula) that are captured by a man with multiple personalities (James McAvoy). The girls must figure out how to stay alive, and how to protect themselves from their attacker’s 24 identities.

Split relies on heavy tension and well crafted characters to hold the viewer hostage until the very end. Each one of McAvoy’s personalities is unique and feels like an actual person, or perhaps even something supernatural. He sheds personas with ease, allowing him to shift back and forth between characters. Like his captives, the audience is left waiting for him to snap and change into someone or something else.

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The film tackles issues of mental illness and abuse with an unexpected level of compassion. Split makes you feel for McAvoy’s character, even as he commits horrific crimes. There is great deal of debate about whether Dissociative Identity Disorder/Multiple Personality Disorder even exists. For the purposes of Split, DID is both a gift and a burden. McAvoy’s character, possesses a multitude of talents, due to the diverse nature of his personalities. However, it makes life difficult for him, as he essentially has 24 identities competing for control, and some of them have bad intentions. In addition to DID, Split also delves into abuse. Both the protagonist and the antagonist are victims of child abuse. This is intriguing, because in a sense it makes them kindred spirits, who have wound up on different paths.

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Split is a great theatrical horror film to kick off 2017. It’s smart, it has fully developed characters, and one hell of an ending. Hopefully M. Night can keep producing quality work like Split.

 

The All Hallows’ Haunts 2016 Awards

With 2016 almost in the books and 2017 right around the corner, the team here at All Hallows’ Haunts thought it would be fun to look back at what we thought was the best of the best in 2016. So, without further ado, here are the All Hallows’ Haunts 2016 Awards.

Movie

Andy’s Pick- Hush

Lola’s Pick- Train to Busan

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TV Show

Andy’s Pick-  The Exorcist

Lola’s Pick- Stranger Things

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Creepy Album

Andy’s Pick- Metallica- Hardwired To Self-Destruct


Lola’s Pick – Birdeatsbaby- Tanta Furia

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Book

Andy’s Pick- Maggie Goes To Hollywood & Maggie Reloaded by Kate Danley

Lola’s Pick- I’m Thinking of Ending Things by Iain Reid

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Convention

Andy’s Pick- Midsummer Scream 

Lola’s Pick – Midsummer Scream

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Unique Event

Andy’s Pick- Serial Killer Speed Dating

Lola’s Pick- Halloween Club’s 4th Annual Spookshow

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Play

Andy’s Pick- Demonic Housewives

Lola’s Pick – Wicked Lit

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Haunt

Andy’s Pick- Knott’s Scary Farm

Lola’s Pick – Knott’s Scary Farm

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Haunt Show/Attraction

Andy’s Pick- Queen Mary’s Freak Show

Lola’s Pick- Micah Cover’s Haunted House Calls

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Maze

Andy’s Pick- Shadowlands (Knott’s Scary Farm)

Lola’s Pick – Shadow Lands (Knott’s Scary Farm)

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Scare Zone

Andy’s Pick- The Hollows (Knott’s Scary Farm) 

Lola’s Pick – Fiesta de los Muertos

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