IT- No Clowning Around

 

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It has only been out for a week, and it’s already completely smashed box office records and blown up social media feeds. It’s seeming likely, that this latest Stephen King remake/adaptation will be the biggest horror movie of the year. Perhaps I’m a bit late to the game, but I figured I’d chime in anyway. It’s taken me some time to compile my thoughts on this one. My feelings are rather jumbled.

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For those of you that have somehow remained unaware, It follows a group of kids trying to stop an ancient evil disguised as a clown. Of course the first element I need to address is the clown, Pennywise. While Tim Curry left some large clown shoes to fill, Skarsgard is a worthy replacement. Skarsgard’s Pennywise doesn’t speak as much as Curry’s, but he’s just as menacing. His fish like eyes that tend to cross, and the weird way he trails off when speaking hint at him being something far more sinister. In the book, it’s quite clear that Pennywise is a Lovecraftian-ish entity. While Curry’s interpretation is more entertaining, Skarsgard’s feels more in line with King’s original vision.

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While Skarsgard’s performance is top notch, it’s the kids who carry the movie. Each of the children stand out as individual characters. Not a single one of them failed to measure up. The interactions between them are humorous, emotional, and authentic. The relationships of the kids in It have been compared to that of the children in Stranger Things. That’s a fair comparison, and audience members that enjoyed one are bound to enjoy the other. While the young actors of It deserve the most credit for bringing their roles to life, director Andy Muschietti is owed praise as well. It can be difficult to work with child/teen actors, and Muschietti managed to bring the best out of all seven of them. Sophia Lillis as Beverly is particularly enchanting. I can see her becoming a household name.

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In addition to the acting, there’s also some bloody good cinematography. The version from 1990 was made for television, so the shots are practical rather than artistic. The new film is a theatrical release with a huge budget, so Muschietti was able to integrate more cinematic camera techniques. The movie is full to the brim of grand drone shots of Derry and slick slow-motion. The scene that stands out for me is the one where Beverly is listening to the voices bubbling up from the sink drain. Then the entire bathroom is splattered with blood in slow motion, while she screams her head off.

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Unfortunately, not all of the visuals hold up. I had a problem with the lighting in most of the interior scenes. While the low lighting worked for the outdoor scenes, it made the indoor scenes just too dark to see. Sometimes even the characters eyes weren’t lit. It’s a small thing, but it makes a world of difference. Horror filmmakers need to learn that just because the subject matter is dark, it doesn’t mean it has to be visually dark.

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I also took issue with the majority of the scary scenes. There is something going on in the current state of horror, where every horror scene is designed to be manic. That’s definitely the case with It. The cuts are too fast, the sound is too loud, and the camera motion is just excessive. I’m a slow burn fan, so I prefer the creeping dread that exists in the form of stillness, or perhaps a room that’s just too quiet. Maybe the climax scene could have benefited from the chaos, but when every Pennywise scene is that wild, the effect wears off fast. It seems like it’s trying too hard. Think about being at a haunted house. What’s creepier, the guy in a mask shouting in your face, or that thing in the lurking in a corner that you only get a glimpse of?

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As long as we’re discussing the scares, I should point out that there were a few questionable effects. For the most part the movie used practical stuff, thank God. Still there were a couple times I caught some weird CGI. The most glaring example is at the beginning. Pennywise is tempting Georgie to get closer to him. Georgie moves in slowly, and then Pennywise opens his ridiculous CGI mouth and chomps down on Georgie’s arm. I wouldn’t say it ruined the scene, but it made it less enjoyable for sure.

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My complaints aside, I’d still give this film a favorable review. If I had to offer a grade, I’d give it a solid B minus. I explained my issues with it to a friend, and he made the point that this movie still signifies that big budget horror is moving in the right direction. I have to agree. While It is not a great film by any stretch, it stands miles above the likes of other theatrical horror films. Still, I think I’ll stick with wacky Tim Curry.

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Ash Vs Evil Dead: The Morgue

Just when you thought that you may have seen everything you could possibly see in the Evil Dead Universe, Ash vs Evil Dead proved you wrong. Episode 2 of the second season, saw our heroes begin their quest to retrieve the Necronomicon, with some zany, disgusting, and hilarious mishaps along the way.

The episode entitled “The Morgue” immediately left off right where the last episode began with Ash and company attempting to obtain the Necronomicon. Unfortunately, Ruby hid it in the body of a corpse that’s currently in the town’s morgue. Well, they make a plan: Ash and Kelly will go to the morgue, while Pablo stays behind to watch Ruby.

While Ash and Kelly leave, Pablo attempts to get answers from Ruby as to what’s been happening to him. Ruby turns the tides on him and interrogates him, discovering that he has been having premonitions since his encounter with the Necronomicon.

As for Ash and Kelly, they make it to the morgue. While Kelly acts as look out, Ash begins to brutally disect the many corpses looking for the book. Finally realizing it’s in the very last corpse, Ash attempts to retrieve the book. However, the body’s intestines refuse to let go. In one of the all time greatest scenes in Evil Dead History, Ash battles with this snake/worm like intestines monster that literally pulls Ash up in the, (and I apologize for the language), ass of the of the corpse. Then hilarity ensues as Ash battles the the monster while stuck up the corpse’s ass. Ultimately, Ash wins, gets the Necronomicon, and rejoins Kelly.

Back at the house, Ruby forces the truth out of Pablo in a vision and discovers that a demon known as Baal is coming. The interrogation is brief as they are interrupted by the deadite impersonation Ash’s Dad’s girlfriend. Ash and Kelly arrive just in time to see Ruby and Pablo defeat the deadite imposter. With the deadite dead and the Necronomicon retrieved, Ash and company celebrate. The party doesn’t last long. Ash’s car is stolen by some teenagers, with the Necronomicon in the trunk.

Overall, I had some mixed emotions with the episode. I totally agree that the slapstick humor was top notch. the scene with Ash being shoved up the corpse’s ass was hilarious, but it felt like the episode was mainly fluff, just to set up for the scene. With the show being only a half hour long, you need to make the most of time and I felt it was used to make one epic joke.

It begs the question, what’s next? Where does the show go next with its comedy? The morgue scene was a whole new level of slapstick, but how do you top it? My fear is it peaked too soon and we might be seeing the end of the series before it even gets there. I mean, we still learned a lot and the dialogue is still great. Still, the physical comedy has always been an important part of Evil Dead.  My hope is that I’m overreacting. The episode was still enjoyable, hilarious, but I do see cause to worry. Let’s hope this Sunday’s episode will put our doubts to rest.

Ash vs Evil Dead airs sundays on Starz. Check your local listings for times and channels.

(All photos from Starz.)