It Comes at Night… Sort Of

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Theatrical horror releases have been pretty thin this year so far. So when I saw the trailer for It Comes at Night, I couldn’t wait to get out and see it. The limited cast and ambiguous threat had me hoping for something like It Follows, but the film that was advertised wasn’t exactly the film I saw.

It Comes at Night centers around a family living in a post apocalyptic world where infection lurks around every corner. The film opens with the family being forced to kill the diseased grandfather.  It’s an introduction that packs an emotional punch and sets the tone of the movie quite well.

From there on, our young protagonist Travis (Kelvin Harrison Jr.) struggles to come to terms with the emotional reality of the situation. He is overcome by ghastly nightmares involving the sickness and his grandfather. Then one night a man breaks into their home. His parents (Joel Edgerton and Carmen Ejogo) and the intruder, Will (Christopher Abbott) form a tentative agreement to pool their resources. Will retrieves his wife and child (Riley Keough and Griffin Robert Faulkner) and the two families begin living together. At first, things are great, but then suspicion and paranoia begin to propel them all in a violent direction.

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It Comes at Night has a lot going for it. The performances are top notch. I was especially partial to Harrison and Keough. All of the characters are well rounded and they all feel like real people. The relationships between the characters and the mounting tension create a palpable sense of dread. I’d compare It Comes at Night to The Walking Dead. Both rely on characters in desperate situations facing heavy moral dilemmas, where neither party is right or wrong.

In addition to the characters, the architecture of the cabin allows for a unique setting. With its narrow passages, woodwork, and the surrounding forest it presents a wide range of cinematography options.

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The soundtrack consisting of a lot of low key drumming also stands out. It’s a sound I definitely haven’t heard in any other recent horror movie, and its a nice break from the usual orchestral or synth music that seems to pervade the genre.

Unfortunately, for all of its positives, It Comes at Night still doesn’t feel like much of a movie. It was halfway over before I could even figure out exactly where the plot was going. It’s only about 90 minutes, but it feels about twice as long. The supernatural threat alluded to is nonexistent. All of the nightmare fuel imagery is from Travis’s dreams, and those dreams are a rare occurrence throughout the film. In fact, not much happens in the movie at all. The characters are almost enough to make up for this, but not quite.

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I tried to pinpoint why this film felt so lackluster for me, because on paper I should love it. Usually, psychological slow burn films are my favorite, but this one didn’t stick the landing. I think it’s because many of the scenes don’t serve to drive the story forward, so it starts to feel stagnant. When the climax finally came, it was about what I expected. Then it just sort of ends. Everyone in the theater started grumbling, saying things like “That’s it?”. I liked It Comes at Night, and I’m glad it’s out there because it is something fresh in this landscape of Alien and Annabelle sequels. Just don’t expect it to live up to the hype.

Knott’s Scary Farm Sets Sights On Halloween 

Halloween and haunt enthusiasts were treated to quite a few surprises over the last few weeks as Knott’s Scary Farm made back to back appearances at both Midsummer Scream and ScareLA Halloween to announce some of what they have planned for this upcoming Halloween Season.

First appearing at the inaugural Midsummer Scream Halloween Festival in Long Beach, California, Knott’s gave fans a brief history of audio mechanics for the mazes before making a few major announcements.

The first announcement  was met with many cheers as they announced last year’s Paranormal Inc. maze would be returning to Knott’s for 2016. When asked if the story or maze would be different, Knott’s representatives stated that only a few tweaks were made to create a better experience.

The second major announcement from Knott’s  concerned the Skeleton Key rooms. With the growing interest in escape rooms, Knott’s has decided that the Skeleton Key rooms for 2016 would consist of an escape room element. The rooms are: Visions, Zozo, Slasher, and Prey.


These new additions to the Skeleton Key rooms definitely add a new factor of terror and excitement to an already incredible event.

The news from Knott’s didn’t end at Midsummer Scream. The following weekend at ScareLA, Knott’s continued the show. The panel at ScareLA started off as a history of Knott’s and Halloween, where they explained the evolution of Knott’s Scary Farm.

They began to speak of the many celebrity hosts of Knott’s Scary Farm, when the official ScareLA host, Elvira, crashed their panel. Elvira announced that she would be returning to Knott’s Scary Farm this year with a new show!

The announcements didn’t end there as they announced that the popular laser tag and paint ball inspired Infected: Special Ops will be replaced this year with an updated version called Infected: Black Ops.

This new version of Infected will introduce a whole new style to the game as it will be in a new area of the park. It will also have a standard queue system instead of special times, new terrain to cover, unlimited ammo, and a whole new boss at the end.

Knott’s plans to announce the remainder of their mazes and shows for this year at a special Knott’s pass holders event on August 25th.

Between the announcements made at Midsummer Scream, ScareLA, and the few made online, Knott’s is shaping up to be the main event for this Halloween season.

Be sure to follow All Hallows’ Haunts here on our site or on Twitter- @HallowsHaunts for more information on Knott’s Scary Farm and other Halloween, horror, and haunt events in Southern California.