IT- No Clowning Around

 

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It has only been out for a week, and it’s already completely smashed box office records and blown up social media feeds. It’s seeming likely, that this latest Stephen King remake/adaptation will be the biggest horror movie of the year. Perhaps I’m a bit late to the game, but I figured I’d chime in anyway. It’s taken me some time to compile my thoughts on this one. My feelings are rather jumbled.

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For those of you that have somehow remained unaware, It follows a group of kids trying to stop an ancient evil disguised as a clown. Of course the first element I need to address is the clown, Pennywise. While Tim Curry left some large clown shoes to fill, Skarsgard is a worthy replacement. Skarsgard’s Pennywise doesn’t speak as much as Curry’s, but he’s just as menacing. His fish like eyes that tend to cross, and the weird way he trails off when speaking hint at him being something far more sinister. In the book, it’s quite clear that Pennywise is a Lovecraftian-ish entity. While Curry’s interpretation is more entertaining, Skarsgard’s feels more in line with King’s original vision.

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While Skarsgard’s performance is top notch, it’s the kids who carry the movie. Each of the children stand out as individual characters. Not a single one of them failed to measure up. The interactions between them are humorous, emotional, and authentic. The relationships of the kids in It have been compared to that of the children in Stranger Things. That’s a fair comparison, and audience members that enjoyed one are bound to enjoy the other. While the young actors of It deserve the most credit for bringing their roles to life, director Andy Muschietti is owed praise as well. It can be difficult to work with child/teen actors, and Muschietti managed to bring the best out of all seven of them. Sophia Lillis as Beverly is particularly enchanting. I can see her becoming a household name.

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In addition to the acting, there’s also some bloody good cinematography. The version from 1990 was made for television, so the shots are practical rather than artistic. The new film is a theatrical release with a huge budget, so Muschietti was able to integrate more cinematic camera techniques. The movie is full to the brim of grand drone shots of Derry and slick slow-motion. The scene that stands out for me is the one where Beverly is listening to the voices bubbling up from the sink drain. Then the entire bathroom is splattered with blood in slow motion, while she screams her head off.

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Unfortunately, not all of the visuals hold up. I had a problem with the lighting in most of the interior scenes. While the low lighting worked for the outdoor scenes, it made the indoor scenes just too dark to see. Sometimes even the characters eyes weren’t lit. It’s a small thing, but it makes a world of difference. Horror filmmakers need to learn that just because the subject matter is dark, it doesn’t mean it has to be visually dark.

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I also took issue with the majority of the scary scenes. There is something going on in the current state of horror, where every horror scene is designed to be manic. That’s definitely the case with It. The cuts are too fast, the sound is too loud, and the camera motion is just excessive. I’m a slow burn fan, so I prefer the creeping dread that exists in the form of stillness, or perhaps a room that’s just too quiet. Maybe the climax scene could have benefited from the chaos, but when every Pennywise scene is that wild, the effect wears off fast. It seems like it’s trying too hard. Think about being at a haunted house. What’s creepier, the guy in a mask shouting in your face, or that thing in the lurking in a corner that you only get a glimpse of?

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As long as we’re discussing the scares, I should point out that there were a few questionable effects. For the most part the movie used practical stuff, thank God. Still there were a couple times I caught some weird CGI. The most glaring example is at the beginning. Pennywise is tempting Georgie to get closer to him. Georgie moves in slowly, and then Pennywise opens his ridiculous CGI mouth and chomps down on Georgie’s arm. I wouldn’t say it ruined the scene, but it made it less enjoyable for sure.

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My complaints aside, I’d still give this film a favorable review. If I had to offer a grade, I’d give it a solid B minus. I explained my issues with it to a friend, and he made the point that this movie still signifies that big budget horror is moving in the right direction. I have to agree. While It is not a great film by any stretch, it stands miles above the likes of other theatrical horror films. Still, I think I’ll stick with wacky Tim Curry.

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The Horror of Resurrection

Well it’s Easter, creeps. That means candy, rabbits, and dyed eggs… oh yeah and Jesus rising from the grave. Now I’m not particularly religious, but Easter seems like the perfect time to examine some excellent depictions of reanimation in horror films. For the purposes of this list, I’m going to try and leave off the super obvious choices, so no Frankenstein. That doesn’t mean I’m only listing indie films, it just means I won’t be recommending Evil Dead. I mean, come on, that’d just be lazy.

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Cemetery Man

There are so many weird things about this movie, apparently it’s based off a novel that is just as abstract and comedic. Although this movie is hilarious, there’s also a layer of sadness winding through it and the ending is gut-wrenching. You won’t find many clear cut answers in Cemetery Man, but one thing is clear. Keeping the dead in their graves is a lonely and unrewarding task.

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Pet Sematary

Let’s be honest, Pet Sematary is not a great film. Like a lot of Stephen King adaptations, it feels a tad lackluster. Still, I love it. This cautionary tale is well suited to this list, because it demonstrates the tragic results that can occur when the natural process of death is disturbed. Louis Creed should’ve listened to Herman Munster. I mean, hell he’d already been reanimated once. Also, can we all agree that Rachel’s sister Zelda is one of the creepiest things ever?

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Wake Wood

Wake Wood is a delightful little Irish flick that marked the return of Hammer Films. The premise is the same as Pet Sematary. A child dies, the parents are devastated, so they turn to extreme methods to bring their kid back to life. While Pet Sematary revolves around Native American mythology, Wake Wood utilizes Wicker Man style Paganism. The loopy locals combined with the gloomy Irish setting make Wake Wood a unique gem of a movie.

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Burying the Ex

Maybe you’d prefer a film that’s a bit more cute. Well if you consider flesh rotting and romance cute, then you should check out Burying the Ex. Burying the Ex features iconic Los Angeles scenery, an adorable Halloween loving protagonist, and Ashley Greene as the most annoying undead girlfriend anyone could imagine. Joe Dante’s films have always held a certain unparalleled offbeat charm, and Burying the Ex is no exception.

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Dead Alive

Before Peter Jackson made long films about fantasy creatures taking epic walks, he made some insane movies. Among those, is Dead Alive. Dead Alive begins with Lionel’s obnoxious mother dying after being bitten by a Sumatran rat-monkey. Unfortunately for Lionel, she rises from the dead and proceeds to devour the living. Not only does this screw up Lionel’s love life, it leaves him with a whole mess of zombies to slaughter. Like Cemetery Man this film is laugh your ass off funny. It features some of the most gore-tastic zombie killing methods I’ve ever seen. If you’re looking for a zombie film that’s bursting with creativity, this is the one to watch.

I hope these 5 “Back from the Dead” films bring you a bit of macabre joy this Easter. However, if you’re having a big celebration dinner, I might wait until after you eat to check these flicks out. You might find them a bit nauseating if you’ve got a weak stomach. Check me out on Twitter @LolaTarantula and on our blog feed @HallowsHaunts. Happy Easter friends, enjoy.