Lola’s Favorite Finds From ScareLA and Midsummer Scream

I haven’t talked much about fashion on this site. I used to write about it more on my Buzzfeed account. When I started doing AHH, I just sort of stopped. Fashion is a big part of my life, and it’s probably the thing that gets me noticed more than anything else. On that note, many of my coworkers have been asking me where I get a lot of my stuff. Therefore I’m dedicating this article to all my friends at work, and all my fellow goth girls. I’ve indicated which convention I purchased each item at, but most of these vendors were at both events.

(From ScareLA) As much as I don’t need another black t-shirt, I couldn’t resist. This cute little black tee by Akumu Ink reminds me of The Conjuring by way of Tim Burton. I’m a sucker for illustrations of pale girls with big eyes. Akumu Ink has a wide range of designs to choose from. The designs are printed on hoodies, men’s and women’s tees, and even backpacks. If you like creepy cute, then Akumu Ink is definitely a brand you should look in to.

cz3JKSz6SquiHnMRRrO7_8TW04b_1024x1024(From ScareLA) By far and away my favorite find from both conventions, is this amazing Jack o’ lantern purse by Dulce Calaveritas. I tried to get one at Midsummer Scream, but by the time I’d made up my mind, they were sold out. My purse is a little different than the one in the picture. My pumpkin is lime green with purple features and a black strap. They come in all colors. I like this bag, because it’s big, so there’s plenty of room. I also like the way the vinyl glitters in the sunlight. If you’re looking to score one of these, you’ll have to be patient. They sell out super fast, so it’s kind of hit and miss.


(Midsummer Scream) I picked up not one, but three items from Madame Whiskers. I got an eyeball ring, a Morticia Addams ring, and a Mulder and Scully pendant. You can get almost any image on you’re jewelry. They’re also inexpensive, which is great for goth girls on a budget!

(Midsummer Scream) I love a nice sweater, and what hoodie could be better for Lola Tarantula than this spiderweb zip up from Kreepsville 666? Kreepsville 666 is a staple at horror conventions. They offer everything from Elvira dresses to skull shaped handbags. There’s something for every creepy girl!


(ScareLA) I absolutely adore these Halloween/horror skirts, designed by Brittnee Braun. My skirt is actually a different pattern than the one in the picture, but they’re quite similar. She sells a huge variety of prints, so there are many options to choose from. The classic high waisted shape will look good on most girls. I like this skirt because it creates the illusion of an hourglass figure. If I were to get another one I’d probably go for one of the zombie prints.


The last vendor I’m going to mention is Sweet Midnight. I didn’t buy anything from her this time, but I’ve invested in some wicked cool stuff in the past. Sweet Midnight’s most popular item is the coffin shaped purse. These purses can be bought with or without bat wings. Word of warning, don’t ever put your coffin in the washing machine. Let’s just say mine is no longer coffin shaped.







Haunt Review- Sinister Pointe Productions Presents Séance


image1(1)SPOILER WARNING! This review contains a synopsis of the haunt, Séance.

The gang here at All Hallows’ Haunts headed out to Brea, California this weekend to experience the latest adventure from Sinister Pointe Productions. (, @SinisterPointe )- Séance. Séance is a live interactive event where attendees join Medium Scott Michael, as he opens a gateway to the Other Side.scott

  • Please note that this review is based on the regular showing of Séance. The special, more intense, Witching Hour showing at midnight sold out immediately.

We arrived 30 minutes before our scheduled start time. We spent the 30 minutes looking at items in Sinister Pointe’s Curiosity shop, where they have an interesting collection of macabre items and movie memorabilia. A gentleman, clad in Gothic garb  (including a dapper top hot, flowing cloak, and walking stick), gathered us just before the séance was to start, explained the initial rules, and then took us into the room, 2 at a time. Once we were all seated, Scott Michael entered. Scott introduced himself and then had us introduce ourselves; imploring us to describe any supernatural experiences we may have had. After the introductions, he explained the rules and then began to open a door to the Other Side. After applying several tricks to summon a spirit, a connection was made. The lights went out and the ghost was in the room. We could feel the ghost and hear its unworldly speech. Ultimately, Scott Michael communicated with the spirit and then sent it away. Once the spirit was gone, we were allowed to leave.

Since we went as a group, we decided to share our review as a chat. The All Hallows’ Haunts members that attended Séance are: Lola Tarantula, Adam Neubauer, The Chris Nelson and Andy Shultz. The chat is below:


Andy- I’ll say, they did a very nice job creating an atmosphere.

Chris- I loved the atmosphere of the lobby. The smell of sage before they let us in was cool.

Lola- I thought the sage was a nice touch too. They definitely played up the whole “demonic entity” mythology well.

Adam- The whole set was great.

Andy- From the time we got into the lobby, they set the mood just right. The music, the lighting, and the guy talking to everyone about the history of séances. It was fun. I felt that room was really neat, and wanted to see more of it, but the method of taking us in two at a time had mixed results.

Chris- The chairs weren’t very comfortable though.

Lola- I wasn’t uncomfortable, Chris. There was just no reason to take us in two at a time. Also, I enjoyed that guy in the lobby, but I needed a little less of him.

Adam- I wouldn’t have minded the “two-at-a-time”, but it didn’t really seem to serve any purpose.

Chris- I think it was meant to take us out of our comfort zones, break up big groups like us.

Andy- While you guys got in first and had time to look at it, I was the last one let in and didn’t have time to look at things.

Adam- But the presentation was done well.

Andy- The table was really neat, but there wasn’t a real explanation for it.

Lola- I think we all felt the beginning was a little slow.

Andy- All the symbols were cool, but hardly talked about.

Chris- Yeah. I think an explanation of each symbols makings would have been nice.

Lola- Yeah, since they worked so hard on having all the symbols there, it would have been nice if they some how worked it into the story.

Adam- Lola, that was my biggest complaint: I wanted all of the story to be more connected. The stories seemed a bit disparate. All kind of the connecting to spirits, but that was about it.

Andy- As for Scott Michael, the medium, he did a great job introducing himself and introducing us, but it seemed a little rushed.

Lola- I’ll agree with that. He was basically putting on a play, so it seemed like one over-arching story would’ve been more effective than a few unrelated ones. I sensed that he was a tad nervous… and not because of the spirits.

Andy- Yes, I would have liked the tricks he was doing to tie into the overall séance more. He was nervous and stumbled a few times, but he recovered nicely. I also thought that once the main part of the séance started, it was a bit rushed and was too short.

Adam- The build up to actually communicating with the spirit could’ve been fleshed out more, but once we got into it, it was fun.

Chris- I think the breaking of real props was a great touch too. Having to walk out over the broken debris is a new experience.

Andy- Yes, the real props were awesome. It made for a more realistic time.

Lola- I’m not that impressed by a piece of string on my face in the dark.

Chris- Nor the water to the face. I also couldn’t tell what the spirit was saying during the blackout.

Andy- I was hoping for the lights to come back on and see the ghost or for some lighting effects.

Lola- The water to the face just reminds me of a theme park ride. I liked Adam’s idea of having ectoplasm.

Chris- There shouldn’t have been anything  happening to our faces.

Adam- It wasn’t really scary. More surprising.

Andy- Then once it was over and Scott regained control, it ended abruptly. I wanted more.

Lola- Yeah, I didn’t think it was going to be over so soon.

Chris- Also, if the act of us joining hands to was to form a barrier, I think more things should have been happening behind us.  Like a feather across the elbows, or breath on the back of my neck.

Andy- I agree, Chris.  Or someone being grabbed.

Lola- Someone did breathe on my neck. Plus, that one girl got hit by something when things were breaking.

Andy- It would have been a great opportunity to have one of the attendees be a plant in the audience, so to speak. Have one of them being possessed or disappear during the blackout.

Lola- Yeah, that would’ve been wonderful.

Chris- Yes, especially with two empty seats! They could have a plant that was with us in the lobby.

Lola- Again, we don’t know what they did during the midnight one.

Andy- There were a few missed opportunities.

Adam- Well, regardless, was what we saw worth it?

Lola- I enjoyed it, but I don’t know if I $45 enjoyed it.

Chris- I’d say so. I think it would be a great thing to take a date on.

Adam- Definitely good date night. I had a good time. Left with a souvenir. I’m excited to see the next step in the evolution of the Séance.

Andy- I think it was a lot of fun and I had a good time, but $45 is just a little high for what we got.

Chris- I do wish there was more in the gift shop too. Maybe more books?

Lola- More books would be wonderful!

Adam- It’s new. It’ll grow. It seems like Séance has been popular.

Lola- I’ll agree with that. I just would’ve like $25-$30 tickets better.

Andy- But compared to the much higher prices of some of the other haunts, it’s definitely not horrible.

Adam- No, it’s not completely out of line.

Andy- Anybody have anything else they want to add?

Lola- I liked how that guy called me Alice Cooper and said I was very darkness at the beginning.

Andy- Ultimately, I think it was a great event that I can see only getting better and better. I think for the first time doing an event like this, they did a great job. I’m excited to see what they do with it next! I highly recommend them and I’d gladly go again! I feel that they earned the AHH Seal of Approval!


Overall, we had a good time and really enjoyed it. We didn’t think it was perfect, but it was still fun and original. We are highly excited for what the future holds for Séance and we hope it continues to grow. We are also excited for the next project to come out of the mind of Sinister Pointe Productions!

There is only one weekend left for Séance and only a few tickets are still available. Visit their website at to buy tickets and to get more information on Séance and other Sinister Pointe events!



Classic Film Review of the Week- The Hunger


Contributed by Lola Tarantula

With both David Bowie and Tony Scott gone, now seems like the perfect time to reexamine The Hunger. Although the film is without a doubt a cult classic, it isn’t anywhere near as renowned as other vampire films, such as Interview with a Vampire or The Lost Boys. Despite its low standing on the cinema totem pole, The Hunger is a film with bite. Featuring meticulous attention to detail, stellar performances, and music to die for the movie offers a unique perspective that sets it apart from the standard genre fare.

The Hunger is based off of the novel of the same name by Whitley Strieber. The story follows the vampire Miriam and all those caught in her tangled web. Miriam possesses the ability to live forever, and she’s able to pull her chosen paramours along for the ride. Unfortunately for them, the deal isn’t quite as sweet. Her lovers do age after a prolonged period of time, however they do not die. When her lover, John begins to age at a rapid rate, he turns to Dr. Sarah Roberts, who specializes in anti-aging science. Sarah is soon pulled into the madness. She finds herself under Miriam’s spell. Miriam makes Sarah into her new vampire companion, but Sarah isn’t willing to accept her fate, and neither are Miriam’s old chosen ones.

In many ways, The Hunger is another take on Sheridan Le Fanu’s Carmilla. Like Carmilla, The Hunger is the story of a vampire that seems to love her chosen victims, but can’t help stealing their life force. Miriam loves Sarah, John, and all of the others. However, it’s a flawed selfish kind of love. She is more concerned with her loneliness than their well being. When they grow old, she stashes them away like unwanted items of clothing. In one heartbreaking scene, John requests that Miriam kiss him. By this point he’s become more or less a walking corpse. She indulges him for a moment, but then she turns away. He then begs for her to kill him, but she tells him she can’t.

Although The Hunger may have been spawned from a classic vampire story, it offers up original ideas in spades. One of the most interesting things about the film is the way Miriam kills her victims. Miriam’s backstory is that she was some sort of Egyptian queen. Therefore she wears an ankh shaped dagger around her neck. She has another ankh dagger that she gives to her partner. Together they use the daggers to slit the throats of their prey. Then they drink the blood. This is one of the most creative methods of vampirism in the entire horror genre.

In addition to the clever story, The Hunger contains some beautiful performances from Catherine Deneuve and David Bowie. Deneuve as Miriam manages to be seductive, tragic, and violent all at the same time. No matter how cruel her acts are, she always manages to make the audience feel for her. Bowie as John is perhaps the most fascinating character of the film. He starts out as a man blinded by love, but as he ages he becomes bitter and resentful towards Miriam. Bowie is able to express the double edged sword of loving and hating someone at the same time with precision. Susan Sarandon offers a comfortable performance as the level headed protagonist Sarah. Her role doesn’t have as much scope as Bowie’s or Deneuve’s, but she gives dimension to the part she was given.

Finally, The Hunger wouldn’t be The Hunger without the gorgeous visuals. Noir-ish shadows accompanied by billowy curtains is the theme of the film. A filter of deep blue gives rise to the melancholy mood of the film. Miriam’s house is full of classical art and smooth marble floors, that complement the gritty city streets of the outside world. The constant presence of curtains, pigeons, and veils conveys a romantic, timeless feel. When combined with 80s Duran Duran haircuts and outfits, The Hunger gives off a vibe that is all its own.

The only place the movie falls down is a somewhat ambiguous and confusing ending. Apparently, the ending was not Tony Scott’s idea, but rather a decision made by MGM. The studio wanted to leave room for a sequel, so they put in a little epilogue scene that just doesn’t fit. One could argue that this is why filmmaking by committee is a bad idea.

Today, The Hunger is regarded as a favorite by many in the horror scene. It is remembered as the film that introduced the band Bauhaus to the world, and also for its famous sex scene between Sarandon and Deneuve. The film produced a spin off series of episodic erotic horror stories. The movie would launch Tony Scott’s career. However, he never again made anything as profound or artistic as The Hunger.

Profiles in Horror: Emilie Autumn

Contributed by Lola Tarantula

February is “Women in Horror Month” to celebrate we’re rounding up our favorite ladies of the darkside!

Goth musician Emilie Autumn has made a name for herself by creating a genre of music she calls “Victorian Industrial”. Her music is  defined by her operatic vocals, rock and roll violin, and girl power lyrics. She was raised amongst the bright lights of the theatre. Her upbringing guided her towards classical violin. She would later put her training to use by performing with Billy Corgan and Courtney Love.

As for Emilie Autumn’s solo work. Her first album, On a Day… is an all instrumental album showcasing her traditional violin technique. Her next album, Enchant, blends together celtic violin melodies, funky beats, and mystical fairy lyrics. EA is best known for her 2006 album, Opheliac. Opheliac is a darker vision than any of her previous work. The record is inspired by a suicide attempt and her experiences with Bipolar Disorder. Opheliac exploded like the plague in the goth subculture, turning Autumn into an icon.

Four years later, she’d go on to write The Asylum for Wayward Victorian Girls. Part novel, part autobiography, the book deals with her traumatic stay in a mental hospital and an imagined stay in a Victorian institution. Since then, She has tried her hand at acting in Darren Lynn Bousman’s films The Devil’s Carnival and Alleluia! The Devil’s Carnival. Her most recent album Fight Like a Girl was released in 2012. The album is based off of her book. She hopes to turn it into a stage production.

Personal Story:

Meeting EA

My love of Emilie Autumn began in high school. I had a friend who kept insisting that I’d love Opheliac. I gave it a listen and found that I was soon obsessed. I went out and bought every album I could get my hands on. I struggled a lot when I was a teen. Mental illness had me on the verge of dropping out of school. When I listened to Emilie Autumn it was like I’d found my spirit animal. When I wanted to dream of mysterious places far away I’d listen to Enchant. When I needed to scream, and kick, and cry I’d listen to Opheliac. When I moved to LA, I finally got to attend one of her concerts. It was such a surreal feeling to be surrounded by girls who were just like me. It felt like a community. I was lucky enough to meet EA at this year’s Screamfest Horror Film Festival. I was there promoting a short film I’d made. I was feeling a bit out of place. She was sweet enough to tell me that I could hang out with her if I didn’t have anyone to hang out with. My friends arrived soon after and I didn’t want to interfere with her group, but I’ll always appreciate the offer.